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スペイン盤。全11曲収録。


Woah. Talk about turning a negative into a positive.

On March 9th 2009, Suzy and BB Quattro's friend HANK was murdered. This catapulted them into an episode that they've captured like an audio movie. I hesitate to use the expression rock opera because this includes the roll part too. In addition to the fact that they had to deal with the loss of a dear friend, the healing process took many twists and turns. All of those are documented here in terms of a collision between the finest shards of East Coast US punk and glorious Californian pop.

You read acres of press blurb about how great bands and artists are. Most of its tosh - but you gotta sell it somehow. I put my hand up - I am undeniably biased but sometimes one has to be objective. There are times when in order to retain any sort of credibility then such bias has to be set aside.

As much for the acts sake as for the individual who is testifying.

So, I solemnly swear that this album plays out like a great film. It has a beginning, a middle and an end. It's sequenced to be listened to in order but the individual songs stand tall in their own right.

Be it the Bo Diddley type crunch that hits in “The Quiet Man” or an anthem like “In My Dreams Again” that literally reduced me to rubble. “Freak Out” and “Kick Ass” are power rockers that'll have you bouncing and punching the air like you thought you'd forgotten how to.

It's been a pure pleasure to watch the band get here. It's not fake, it's not forced and their version of Bobby Dylan's “You Angel You” is as jaw dropping as how The Who interpreted Mose Allison's “Young Man Blues”. Suzy's vocal on “Still Mad About You” is pure Minnie Ripperton, a soul/doowop hymn to their departed amigo that manages to convey hope for the future in addition to declaring their allegiance to HANK.

Wherever he is at this point, I bet H is damn proud of what his old friends have assembled in his honour. He must have been a heck of a guy to warrant this standard of remembrance. Though I never had the pleasure of meeting him, I reckon we would have gotten along just (Jim) dandy.

That's my pitch - if you don't like this then I really can't help you but if you do then savour every note because they hardly ever make blockbusters like this anymore.

por Lindsay Hutton