JOHN PALMER / SHORELINES / CD

以前VOID RECORDSからリリースされていた作品がNUMUSI RECORDSより初CD化。1971年にCELEBRATION RECORDSからリリースされた(CELEBRATION / 1868[GATEFOLD])カナディアンACID SSWによる唯一作品。ジャケットからも想像される通りのダウナーでロウナーなACID? FOLK作品ながら、時折挿入されるFUZZギター、ピアノ、ドラムなど、プリミティヴなバンド・サウンドも堪能できます。感覚的にはALEXANDER SKIP SPENCEに近い質感。1971年にして70年代末から80年代初頭のアフター.サイケデリア感・・・マイケル.アンジェロ等に通じるヘロヘロ具合が。今回のCD化に際して特筆すべき点はVOID盤にも収録されなかったボーナストラックが収録されている点でしょう。ドラッグまみれの内省的な一枚・・・まるで日記を覗き見している感覚に陥ることでしょう。※デジパック仕様、6ページのブックレット付。さらにはリマスターも施されております♪

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Canadian folk/psych album
Original release 1971
Re-issue NUMUSI RECORDS 2010

6-page Digipak-CD
incl.6 page Booklet with exclusive Liner Notes
Remastered
+ 1 Bonus Track which was never released before.


TRACKLIST:

1. Cloud
2. Solitude
3. Free Me
4. Seedling Of Light
5. Colours For The Shoreline
6. Such A Long Time
7. The Wheel
8. Mandalla
9. Better Later Than Never
10. Mapl
11. Salvations Den
12. We Shall Come Together (Bonus Track)

"Opening with "Clouds", complete with backwards bits, heavy keys & drums, fuzz, and a voice that just sucks you right in, Palmer chills your mind and body with a truly tormented lament over a life no longer what it used to be:

"Well I guess it's over
I'm not dreaming
It's just over
Somewhere a voice is screaming
In the dead of night
It sounds like mine"

The nightmare trip through a shattered psyche never stops for a break throughout the rest of the album either. The musical setting may vary from the seriously heavy monster fuzz/pounding drums/howling vocals of "Free Me" to 12-string raga-esque bits, complete with chanting by pals from the local commune, but they're all important parts of the puzzle and the whole that eventually comes out of it is one of the most amazing personal musical documents I've ever heard.
Most of the keys & strings are handled by John himself, with drums usually added later on, which may explain the somewhat rudimentary percussion style. Yet very apt they are, like if the drummer had tuned into John's demons and wanted to help him get rid of them by pounding the skins as heavily as possible. The songs are usually folkbased, though the end product is much more than a folk LP; the arrangements are rich and purposeful with lots of nice keyboards, great electric and acoustic guitars, effects, some almost proggy bits... and those vocals. John Palmer is certainly not your average coffee-house singer, I tell you.
"Better Later Than Never" is one of the acoustic tracks, with droning guitars, echoing hand percussion and amazing background vocals, like if a few angels had dropped by the studio and decided to give the underground music biz a shot. So beautiful. The last track, "Salvation's Den", might by comparison to what went down before offer some refuge, but it's still a bleak and painful road ahead:

"I have looked over
The long and winding ways toward salvation
And I have been over
A final line that some would call damnation
Some have called it godless - when I'm lost in it
But I've paid them the loss in the process"

I emailed a bit with John last year and he confirmed that his life wasn't easy at the time of "Shorelines". Love, confusion, and drugs all played their part, but luckily things improved later on and he now seemed to be doing fine. A reissue is in the works and hopefully that will help to get this masterpiece the recognition and respect it's long been devoid of. Perhaps some of the recording anecdotes John told me will be presented along with this new edition - background details are pretty interesting in this case."

FARM FAVES