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- WAX POETICS / IMPORT / BOOK / WP65ATQC / 1007174382 / 2016年08月30日
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売切 注文不可こちらは本家WAX PEOTICS (英語版) 65号。表紙はHIP HOP界のレジェンドA TRIBE CALLED QUEST、裏面はDAVID BOWIE。その他、ESPERANZA SPALDINGやDUTY CALL、そして70年代のノーザン・ソウル特集等盛りだくさんです! 最近のハワイアン・グルーヴのリイシューで巷を賑わせているレーベルALOHA GOT SOULの記事やTKレジェンド、TIMMY THOMASへのインタビューもあり、古今の音楽シーンを幅広く扱う視点が今回の号は特に素晴らしいです!Features:A Tribe Called QuestWax Poetics Issue 65 is going back to our roots with 21 pages dedicated to A Tribe Called Quest’s debut album, People’s Instinctive Travels and the Paths of Rhythm, including an oral history with original founding members Q-Tip, Phife Dawg (in his final interview), Ali Shaheed Muhammad, and Jarobi, as well as “fifth member” and iconic engineer Bob Power! Rare and classic photos by Ernie Paniccioli and Janette Beckman, as well as pics from the personal collection of Ali Shaheed Muhammad.David BowieBack cover feature explores David Bowie’s time in Philly, recording David Live and much of his R&B masterpiece, Young Americans—at the iconic Sigma Sound Studios used by Gamble & Huff and countless Philly soul acts. The in-depth, 20-page story is told with the help of producer Tony Visconti; pianist Mike Garson; model, muse, and singer Ava Cherry; singer Robin Clark, and her husband, guitarist and collaborator Carlos Alomar. Rare photos of Bowie at Sigma by photographer Dagmar! We also offer a four-page “David in Philly” timeline and a five-page interview with Bowie photographer Steve Schapiro.Northern SoulIn-depth history of England’s soul club scene with excellent photos documenting the DJs and dancers.Also:Organist and “Why Can’t We Live Together” songwriter Timmy Thomas; bassist and jazz-futurist Esperanza Spalding; singer/rapper Anderson .Paak; singer Dornik; and Hawiian music blog and label Aloha Got Soul.¥1,430 (税込)ご注文できません -
- WAX POETICS / IMPORT / BOOK / WP64YO / 1007048946 / 2016年04月18日
書籍
売切 注文不可こちらは本家WAX PEOTICS (英語版) 64号。特集は88年にスタートしたケーベルテレビ番組「YO! MTV RAPS」と、昨年リリースの新作が話題を呼んでいるヒップ・ホップ・バンドTHE INTERNET。また、先月国内盤CDのリイシューがあったB.T. EXPRESSでキャリアをスタートさせたKASHIF、SUPREMES最後のオリジナル・メンバーMARY WILSONなどの記事も読みごたえあり。その他R&Bの異端児MIGUEL、最近新作を発表したCOOL UNCLE、YOUNG GUN SILVER FOX、シンガーソングライターMIA DOI TODD、フィリーのシグマ・スタジオなど幅広い記事を掲載。国内版に比べてより幅広い「ブラック・ミュージック」を探訪している本家WAX、少しでも英語のわかる方は購読必須です!■前号『ISSUE #63 GARY CLARK JR. B/W RAURY』はこちらYo! MTV RapsExploding onto cable television in August 1988, Yo! MTV Raps was a huge hit because it was necessary. Perhaps the most potent catalyst in hip-hop’s infiltration of the mainstream, Yo! beamed future superstars and regional rap heroes alike into living rooms for the first time ever.The InternetSyd tha Kyd and Matt Martians have emerged from production, engineering, and DJing roles within the Odd Future crew to claim their own stake in this new movement of Black musical expression. Originally intended to be a Neptunes-like production team, their collective, named the Internet, is now a full-fledged band with Syd taking lead vocal duties. Their third album, Ego Death, doubles down on their questioning of what it means to be young, gifted, and Black in America.KashifAfter a stint as keyboard player with B.T. Express, Brooklyn’s Kashif turned to writing and producing for other artists, infusing synthesizers into R&B and taking the post-disco genre into a modern boogie wonderland.Mary WilsonAfter Florence Ballard and Diana Ross left the Supremes, last remaining original member Mary Wilson found that her love for performing was enough to keep the name going into a new era of hits.Also: R&B wild child Miguel; blue-eyed soul crooner Bobby Caldwell and producer Jack Splash team up as Cool Uncle; soulful folk singer-songwriter Mia Doi Todd; modern-funk synth wiz kid Brian Ellis; pop-art-soul act Twin Shadow; new blue-eyed-soul/rock duo Young Gun Silver Fox; and Philly’s Sigma Sound Studios.¥1,650 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP63GARY / 1006908955 / 2015年11月27日
書籍
売切 注文不可こちらは本家WAX PEOTICS (英語版) 63号。表紙は現代を生きるブルースマンGARY CLARK JR.、裏表紙は新鋭シンガーソングライター/ラッパーのRAURY。その他、本年6月にデビュー・アルバムをリリースしたLEON BRIDGES、10月に超大作をリリースしたジャズのKAMASI WASHINGTON他、近年ルーツ志向のアルバムをリリースのブルーアイド・ソウルBOZ SCAGGS、THE BANDのプロデュースで有名なJOE SIMONなどなど幅広い特集。国内版に比べてより幅広い「ブラック・ミュージック」を探訪している本家WAX、少しでも英語のわかる方は購読必須です!Blues BrotherMentored on the axe by Stevie Ray Vaughan’s brother Jimmy and mentored on the music business by friend Cody Chesnutt, Austin guitarist Gary Clark Jr. was hailed as blues music’s second coming after a couple of self-released records and his Grammy-winning, major-label debut, Blak and Blu. But not wanting to be put in a box, Clark took a cue from Chesnutt’s The Headphone Masterpiece and set out to record and self-produce a wide-ranging yet personal album from his own perspective. The result, The Story of Sonny Boy Slim, sees Clark bridging the gap between genres while creating his own thing.Top Billin’After a couple of his singles blew up, nineteen-year-old singer-songwriter Raury flipped that success into an ambitious desire to create profound and impactful art. As he headlines his own festivals, and his anxiously anticipated finally debut drops, Raury now leads a pack of young artists aiming to start a movement to take the music industry in a new, positive direction.Also: Blue-eyed-soul man Boz Scaggs, Motown songwriter Marilyn McLeod, classic rock producer John Simon, saxophonist and Kendrick Lamar collaborator Kamasi Washington, soul singer throwback Leon Bridges, French beatmaker Onra, Stones Throw producer Knxwledge, and underground sound manipulator Norvis Jr.¥1,430 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP57 / 1006043552 / 2013年12月24日
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売切 注文不可US版WAX POETICS57号、表紙は「クイーン・オブ・フューチャー・ソウル」ことJANELLE MONAEと麗しきソングライターJODY WATLEY。【特集】Todd RundgrenSouls of MischiefEarl SweatshirtMiloshSoul TrainBlack MilkEd MottaKonBoardwalkBruno MoraisNot everyone fits in with the mainstream. Some are born to be different. They are misfits, individualists, outsiders, and eccentrics that let their freak flags fly. Yet they have found a way to thrive on their own terms, transcending barriers of categorical concepts and popular expectations.Janelle Monáe eschews the prosaic biographical trappings in favor of the science fiction of alter-ego android Cindi Mayweather, believing that robots represent an otherness. She is seemingly at odds with current R&B radio, yet she was signed by Diddy and has found crossover success. Jody Watley did not want to be an industry puppet. She broke free, joined forces with like-minded superfreak André Cymone, and established herself as an artist who took control of all aspects of her public persona from songwriting to style. Todd Rundgren embraced all styles. Butterfly-wing eyelashes and feather boas. Rock and roll and rhythm and blues. And he often did everything by himself. Songwriting, playing all the instruments, engineering. He even produced other outcasts like the New York Dolls, and went on to influence countless modern misfits. Souls of Mischief busted out of Oakland with their own style. Surrounded by gritty streets and street players, the rap quartet was instead playful and thoughtful, winning a lifelong audience based on brains, wit, and individuality. Some consider Earl Sweatshirt the weird one of Odd Future. That should tell you something. But in reality, he’s just an outsider, the weight of his intellect making him different than most rappers today. He has a way with words that most poets would kill kings for. He joins the long line of artists that represent the ideal musical other, what true fans long for when wading through depths of mainstream drivel.Also featuring: Milosh & Rhye, the story of the Soul Train dancers, Black Milk, Ed Motta, Kon, Boardwalk, and Bruno Morais.¥1,257 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP58 / 1006204783 / 2014年04月14日
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売切 注文不可いつになく表紙のインパクト大。最新58号入荷いたしました!【特集】Cee Lo GreenAction BronsonRon IsleyThom BellMillie JacksonKool G RapSwamp DoggBrian JacksonFreda PayneK-MaxxChicano BatmanKINGLeyla McCallaIt’s not about giving the middle finger and saying, “Whatever.” It’s about real talk. As Cee Lo says in our cover story, “I despise the notion of ‘whatever.’ ” Mr. Green has something to say. He’s not the character he portrays on TV. And he’s not superficially enamored with an industry run by “atheists”—so he must find a balance of being a superstar in the spotlight and a human being in the shadows of introspection.Up-and-coming rapper Action Bronson doesn’t front about his occupation, doesn’t try to sugarcoat his story. The former chef is just a regular guy with a knack for rhyme and storytelling. He doesn’t hesitate to tell us that he’s thankful and that music is something he takes very seriously.While the music industry has always been filled with big personalities, it’s especially refreshing to hear from outspoken artists who, as big man Aaron Neville said, tell it like it is. In the 1970s, Ron Isley and his band of brothers weren’t afraid to put a fist in the air and scream, “Fight the power!”—while Brian Jackson and Gil Scott-Heron used their music and words to speak the truth in turbulent times. As two soul artists without a f**king filter, Millie Jackson and Swamp Dogg have made their living putting their uncut thoughts to tape. And Philly soul architect Thom Bell opens up about his weighty contributions to a genre and a business, and Detroit singer Freda Payne shares her personal feelings about her own twists of fate. Finally, Queens rapper Kool G Rap is never afraid to state that he influenced every great rapper of our generation. Don’t fear the truth.¥1,430 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP59 / 1006355164 / 2014年08月15日
書籍
売切 注文不可US版WAX POETICS 59号はレディーのダブルサイダー!※WAX POETICSサイトではSOLD OUTとなっております。お早めにお求めください。※店頭併売品のため表紙に微細なスレがある場合がございます。AaliyahKelelaEdwin BirdsongRinder & LewisTerry ReidJimmy JamContinental BathsChromeoBluKaytranadaBadBadNotGoodCom TruiseDoug ShortsVeteran music journalist Michael A. Gonzales looks back twenty years on Aaliyah’s debut album, the controversy with R. Kelly, and the follow-up album with Timbaland that changed the landscape of R&B. Includes never-before-published photos of Aaliyah by photographer Jonathan Mannion. Novelist T. P. Carter interviews newcomer Kelela and runs down the L.A. electro-bass scene.Producer, songwriter, and organist Edwin Birdsong is the anonymous genius behind some of jazz-funk’s most cosmic moments. Influenced by Larry Levan and the New York club scene, Birdsong’s left-field boogie anthem “Cola Bottle Baby” would become fodder for both Daft Punk and Kanye West, and his bare funk breakbeat track “Rapper Dapper Snapper” would nod hip-hop heads for years, bringing Birdsong’s grooves to a new global audience.Rinder and Lewis had a knack for creating commercial, crossover disco, hiding behind various monikers like El Coco and Le Pamplemousse. Ultimately, they chose to reveal their true identities on a string of records that would allow them to realize a more artistic vision of disco that played to their strengths—stripped-down drum-and-synthesizer tracks that pioneered the cosmic dance.Terry Reid passed on the opportunity to become the front man of Led Zeppelin, choosing to carry on as a solo act that never paid off with the heights of fame and fortune of his musical pals, yet he recorded two soulful folk-rock masterpieces and has become known as an artist’s artist.The story of the notorious NYC bathhouse Continental Baths is the story of disco. The Baths would birth the careers of dance icons Larry Levan and Frankie Knuckles, two young DJs who were soaking in the nascent disco scene of the early ’70s—and who soon got their own shot behind the decks, ultimately influencing the dance scene in immeasurable ways.As one half of production duo Flyte Tyme Productions, Jimmy Jam, along with partner Terry Lewis, changed the landscape of popular music and the sound of radio forever. The duo’s attention to their craft and changing times saw an evolution in their sound through the latest technology, yet their secret to success was unique, tailor-made productions for each artist.¥1,430 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP61NEHRU / 1006654306 / 2015年04月14日
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売切 注文不可ISSUE #61 は表紙が2種類ございます。 (内容は同じです)JAMES BROWN B/W CURTIS MAYFIELDBISHOP NEHRU B/W GHOSTFACE KILLAHWax Poetics Issue 61 cover one features James Brown on the front and Curtis Mayfield on the back. Cover two features Bishop Nehru on the front and Ghostface Killah on the back. Both versions are for sale at our storefront. Current subscribers should receive James Brown/Curtis Mayfield.Contents:Fred Wesley on James Brown’s classic The PaybackCurtis Mayfield and the ImpressionsBishop NehruGhostface KillahRick Stevens of Tower of PowerTV on the RadioJoiTuxedoElectric Wire HustleSoulectionYoung FathersIslam and Hip-hopMorrie TurnerEmory DouglasFred Wesley did his second stint with the James Brown Band during the Godfather of Soul’s rebirth in the 1970s, his golden period with Polydor Records. As Brown’s musical director, bandleader, and arranger, Wesley also got songwriting credits, a rare feat for an artist in the JB family?and a gesture that has kept him paid to this day. Here, Wesley reminisces about their seminal and best-selling record, The Payback, which can be seen as a hard and cold metaphor for social justice.The Impressions were up and down on the charts for a decade, depending on the creative inspiration of its songwriter and lead vocalist Curtis Mayfield. After the success of 1963’s “It’s All Right,” Mayfield would write a string of socially conscious songs that helped spark the Civil Rights Movement, including “Keep On Pushing,” and “People Get Ready.” The final three increasingly sociopolitical chart-toppers he wrote for the group?“We’re a Winner,” “This Is My Country,” and “Choice of Colors”?would lean more towards Black Power, alienating some fans and radio stations, but would set the tone for his incredibly important solo work to come.After releasing his first mixtape, 2012’s Nehruvia, at only sixteen, New York phenom Bishop Nehru arrived as a fresh voice laced with erudite wordplay and a penchant for classic beats. With his EP strictlyFLOWz the following year, he grabbed the attention of MF DOOM, resulting in their recent collaboration, 2014’s NehruvianDOOM. As he prepares his solo album, with Nas on board as executive producer, the old-soul poet is poised to help bring the art form back to New York.In an arena where MCs seldom have extended careers, Wu-Tang’s Ghostface Killah has increasingly improved through two decades after his 1996 solo debut, Ironman. His use of cryptic slang and his gift for spinning complex tales leaves an unmatched legacy?one that’s still growing.¥1,430 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP62GIORGIO / 1006770393 / 2015年07月10日
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売切 注文不可US WAX POETICS ISSUE #62表紙: GEORGIO MORODER B/W RATATAT Wax Poetics Issue 62 features electronic producer/composer Giorgio Moroder on the cover, with instrumental duo Ratatat on the flip. It is available for sale at our storefront.ContentsGiorgio MoroderRatatatThe Ladies of ChicSteve ArringtonUnknown Mortal OrchestraThe Photography of Les McCannVan HuntDivine StylerNu ShoozJamaiel ShabakaIbeyiSeven Davis Jr.Bixiga 70Nick Hakim45 Francki of IAMShusei NagaokaFeaturesIconic computer composer Giorgio Moroder got his start writing and producing pop music in Germany. But a chance encounter with American session singer Donna Summer would change the course of his career. A string of hits together would make Summer an R&B and disco superstar and Moroder a wanted musical asset in the States, and their proto-techno, all-synthesizer dance track “I Feel Love” set the tone for the future of music. As Moroder embraced the Moog synthesizer and continued to revolutionize dance music, he transferred this electronic sentiment to multiple soundtracks, including the now-classics Midnight Express and Scarface. After a cameo on Daft Punk’s Random Access Memories, the seventy-five-year-old composer now returns to the scene with a new album, Deja Vu.When fellow college alums Mike Stroud and Evan Mast ran into each other in Brooklyn and decided to jam together, they realized they had a penchant for making catchy yet cerebral instrumentals.Their newly formed band, Ratatat, featured smart interplay between guitar, synthesizers, and crisp beats. Four albums later?and collaborations with Kid Cudi and Jay Z along the way? the multi-instrumentalists return with their fifth LP, Magnifique.With Chic, Nile Rodgers and partner Bernard Edwards created sophisticated dance music draped in mystery and anchored in the unison singing of a rotating cast of female vocalists?Norma Jean Wright, Luci Martin, Alfa Anderson, Robin Clark, Diva Gray, Michelle Cobbs, and newcomers Folami Ankoanda-Thompson and Kimberly Davis.In the 1970s, Ohio’s blue-collar cities started churning out the hardest-working musicians in the business. Dayton native Steve Arrington came up watching the Ohio Players in the spotlight, spurring him to grind. As the drummer for the R&B band Slave, he quickly rose to take over as lead singer, which led to a successful solo career. But when he found a new calling in the Lord, he dropped out of the business altogether. After decades away, Steve is dipping his toes into the musical waters once again.¥1,430 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP61JAMES / 1006654305 / 2015年04月14日
書籍
売切 注文不可ISSUE #61 は表紙が2種類ございます。 (内容は同じです)JAMES BROWN B/W CURTIS MAYFIELDBISHOP NEHRU B/W GHOSTFACE KILLAHWax Poetics Issue 61 cover one features James Brown on the front and Curtis Mayfield on the back. Cover two features Bishop Nehru on the front and Ghostface Killah on the back. Both versions are for sale at our storefront. Current subscribers should receive James Brown/Curtis Mayfield.Contents:Fred Wesley on James Brown’s classic The PaybackCurtis Mayfield and the ImpressionsBishop NehruGhostface KillahRick Stevens of Tower of PowerTV on the RadioJoiTuxedoElectric Wire HustleSoulectionYoung FathersIslam and Hip-hopMorrie TurnerEmory DouglasFred Wesley did his second stint with the James Brown Band during the Godfather of Soul’s rebirth in the 1970s, his golden period with Polydor Records. As Brown’s musical director, bandleader, and arranger, Wesley also got songwriting credits, a rare feat for an artist in the JB family?and a gesture that has kept him paid to this day. Here, Wesley reminisces about their seminal and best-selling record, The Payback, which can be seen as a hard and cold metaphor for social justice.The Impressions were up and down on the charts for a decade, depending on the creative inspiration of its songwriter and lead vocalist Curtis Mayfield. After the success of 1963’s “It’s All Right,” Mayfield would write a string of socially conscious songs that helped spark the Civil Rights Movement, including “Keep On Pushing,” and “People Get Ready.” The final three increasingly sociopolitical chart-toppers he wrote for the group?“We’re a Winner,” “This Is My Country,” and “Choice of Colors”?would lean more towards Black Power, alienating some fans and radio stations, but would set the tone for his incredibly important solo work to come.After releasing his first mixtape, 2012’s Nehruvia, at only sixteen, New York phenom Bishop Nehru arrived as a fresh voice laced with erudite wordplay and a penchant for classic beats. With his EP strictlyFLOWz the following year, he grabbed the attention of MF DOOM, resulting in their recent collaboration, 2014’s NehruvianDOOM. As he prepares his solo album, with Nas on board as executive producer, the old-soul poet is poised to help bring the art form back to New York.In an arena where MCs seldom have extended careers, Wu-Tang’s Ghostface Killah has increasingly improved through two decades after his 1996 solo debut, Ironman. His use of cryptic slang and his gift for spinning complex tales leaves an unmatched legacy?one that’s still growing.¥1,430 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP60 / 1006501032 / 2014年12月01日
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売切 注文不可ISSUE #60【特集】BlondieSZAOnyxRaekwon (Only Built 4 Cuban Linx)Robert CrumbHarvey MasonMarsha AmbrosiusEddy SenayBudos BandTaylor McFerrinFatimaStick Against StoneJordan Rakei¥1,430 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / ISSUE #54HALL / 1005043249 / 2013年03月18日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。*こちらのは Type B - DARYL HALL VERSION のご注文ページです。US 版 WAX POETICS 最新 54 号は、表紙が 2 種類の変則号。(内容は同じです。)*Type A - 表表紙: BIG DADDY KANE / 裏表紙: JOEY BADASS *Type B - 表表紙: DARYL HALL / 裏表紙: JOSE JAMES 【特集】Big Daddy KaneJosé JamesJimmy SpicerJoey BadassDaryl HallBobby CaldwellDonald Fagen of Steely DanLaura NyroNed DohenyNosaj ThingClams CasinoThe Ghetto BrothersKeyboard Kid Type A - BIG DADDY KANE VERSION のご注文ページはこちらhttps://diskunion.net/black/ct/detail/50B130308002¥1,153 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / ISSUE #54KANE / 1005043250 / 2013年03月18日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。*こちらのは Type A - BIG DADDY KANE VERSION のご注文ページです。US 版 WAX POETICS 最新 54 号は、表紙が 2 種類の変則号。(内容は同じです。)*Type A - 表表紙: BIG DADDY KANE / 裏表紙: JOEY BADASS *Type B - 表表紙: DARYL HALL / 裏表紙: JOSE JAMES 【特集】Big Daddy KaneJosé JamesJimmy SpicerJoey BadassDaryl HallBobby CaldwellDonald Fagen of Steely DanLaura NyroNed DohenyNosaj ThingClams CasinoThe Ghetto BrothersKeyboard KidType B - DARYL HALL VERSION のご注文ページはこちらhttps://diskunion.net/black/ct/detail/50B130308001¥1,153 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP56DRAGON / 1005444710 / 2013年09月30日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。*こちらのは Type B - LITTLE DRAGON B/W HIATUS KAIYOTE のご注文ページです。US 版 WAX POETICS 最新 56号は、表紙が 2 種類の変則号。(内容は同じです。)*Type A - 表表紙: MADLIB / 裏表紙: KOOL HERC*Type B - 表表紙: LITTLE DRAGON / 裏表紙: HIATUS KAIYOTE【特集】MadlibLittle DragonKool HercHiatus KaiyoteAverage White BandMac MillerTackheadDisco remixer John MoralesAfrika Bambaataa’s record collectionShintaro SakamotoRodion G.A.¥1,257 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / WP56MADLIB / 1005444706 / 2013年09月30日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。*こちらのは Type A - MADLIB B/W KOOL HERC VERSION のご注文ページです。US 版 WAX POETICS 最新 56号は、表紙が 2 種類の変則号。(内容は同じです。)*Type A - 表表紙: MADLIB / 裏表紙: KOOL HERC*Type B - 表表紙: LITTLE DRAGON / 裏表紙: HIATUS KAIYOTE【特集】MadlibLittle DragonKool HercHiatus KaiyoteAverage White BandMac MillerTackheadDisco remixer John MoralesAfrika Bambaataa’s record collectionShintaro SakamotoRodion G.A.¥1,257 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / ISSUE #55 / 1005242483 / 2013年05月27日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。US 版表紙:DE LA SOUL / 裏表紙:DAFT PUNK【特集】Daft PunkDe La SoulNile RodgersTeddy RileySlum VillageGino SoccioMe’Shell NdegéocelloWaajeedJack BruceLadyAva LunaBLKKATHY他¥1,257 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / ISSUE #53 / 1001831025 / 2012年12月10日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。US 版表紙:RZA / 裏表紙:JESSE BOYKINS III【特集】Karriem RigginsMara HrubySinkaneDanny Alias and Persona RecordsLeroy SibblesNite JewelBryan FerryRZAWilliam Hart of the DelfonicsJesse Boykins IIIPleasureMac DreMiguel Atwood-FergusonThe Gaslamp Killer¥1,153 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / #52DAMFUNK / 1001761314 / 2012年08月27日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。*こちらのは Type A - DAM-FUNK VERSION のご注文ページです。US 版 WAX POETICS 最新 52 号は、ジャンルに囚われず貪欲に様々なスタイルにチャレンジするブラック・ミュージシャンを特集!表紙が 2 種類の変則号。(内容は同じです。)*Type A - 表表紙: DAM-FUNK / 裏表紙: LENNY KRAVITZ*Type B - 表表紙: FLYING LOTUS / 裏表紙: SADE【特集】Jimi HendrixGeorge ClintonBootsy CollinsShuggie OtisPrinceLenny KravitzSadeGary BartzBetty WrightCody ChesnuttDâm-FunkGeorgia Anne MuldrowJamire WilliamsMeLo-XQuanticAlice RussellMyron & E?Type B - FLYING LOTUS VERSION のご注文ページはこちらhttps://diskunion.net/black/ct/detail/50B120821703¥1,153 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / #52FLYLO / 1001761315 / 2012年08月27日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。*こちらのは Type B - FLYING LOTUS VERSION のご注文ページです。US 版 WAX POETICS 最新 52 号は、ジャンルに囚われず貪欲に様々なスタイルにチャレンジするブラック・ミュージシャンを特集!表紙が 2 種類の変則号。(内容は同じです。)*Type A - 表表紙: DAM-FUNK / 裏表紙: LENNY KRAVITZ*Type B - 表表紙: FLYING LOTUS / 裏表紙: SADE【特集】Jimi HendrixGeorge ClintonBootsy CollinsShuggie OtisPrinceLenny KravitzSadeGary BartzBetty WrightCody ChesnuttDâm-FunkGeorgia Anne MuldrowJamire WilliamsMeLo-XQuanticAlice RussellMyron & E?Type A - DAM-FUNK VERSION のご注文ページはこちらhttp://diskunion.net/black/ct/detail/50B120821702¥1,153 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / ISSUE#51NAS / 1001718058 / 2012年06月09日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。*こちらのはType A - NAS VEASION のご注文ページです。US版WAX POETICS 最新51号は一冊丸ごとヒップ・ホップ・イシュー!しかも表紙も2種類の変則号。 *Type A - 表表紙:NAS / 裏表紙:DANNY BROWN*Type B - 表表紙:NO LIMIT RECORDS PRODUCTION/ 裏表紙:SHABAZZ PALACES【特集】KURTIS BLOW、EL-P、THE ROOTS、KILLER MIKE、ROBERT GLASPER、COKE LA ROCKType B - 表表紙:NO LIMIT RECORDS PRODUCTION のご注文はこちらhttps://diskunion.net/black/ct/detail/50B120607702¥1,153 (税込)ご注文できません -
- WAX POETICS / IMPORT / 雑誌 / ISSUE#51NOLIMIT / 1001718078 / 2012年06月08日
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売切 注文不可※特価品ですので、スレ・折れ等ある場合がございますが、ご容赦お願い申し上げます。*こちらのはType B - NO LIMIT RECORDS のご注文ページです。US版WAX POETICS 最新51号は一冊丸ごとヒップ・ホップ・イシュー!しかも表紙も2種類の変則号。 *Type A - 表表紙:NAS / 裏表紙:DANNY BROWN*Type B - 表表紙:NO LIMIT RECORDS PRODUCTION/ 裏表紙:SHABAZZ PALACES【特集】KURTIS BLOW、EL-P、THE ROOTS、KILLER MIKE、ROBERT GLASPER、COKE LA ROCKType A - NAS VEASION のご注文はこちらhttps://diskunion.net/black/ct/detail/50B120607701¥1,153 (税込)ご注文できません
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