TREMBLING BELLS / ABANDONED LOVE / レコード

ボニー“プリンス”ビリーことウィル・オールダムも絶賛!! 更にはニック・ドレイク、フェアポートなどの仕事で知られる英国屈指のプロデューサー、ジョー・ボイドもぶったまげたグラスゴー4人組が2010年新作をリリース!! フェアポートを彷彿させる60年代英国トラディッショナル・ロック・サウンドを軸にしながらも、サイケデリックなノイズやアンセム・ロックの要素も取り入れた繊細かつ壮大な音楽性がかなりの反響を生んだデビュー作から更なる進化を遂げた叙情的でまさに英国な世界観!!過去の産物と現代の音楽シーンが見事に調和した素晴らしい作品です!!

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‘God help them, the staggering, slavering, stumbling creature they have spawned is a handsome mongrel.’ (The Sunday Times)

Following on from the unanimous critical acclaim of their album, Carbeth, the Bells’ second album deepens their signature synthesis of traditional folk forms with the romanticism of country music, the deceptive complexity of medieval music and the swagger of classic rock. Anthemic visions of the British landscape as a fantastic and treacherous netherworld are set to vying country-style duets, Bowie-esque stomps and the mysterious, serpentine melodies of Earlie Musik.

Adieu, England / Man Is As A Garden Born / Baby, Lay Your Burden Down / Did You Sing Together? / September Is The Month Of Death / Love Made An Outlaw Of My Heart / Ravenna / All Good Men Come Last / Darling / You Are On The Bottom (And The Bottle’s On My Mind)


JOE BOYD ON TREMBLING BELLS
(Joe produced Fairport Convention, Pink Floyd, Nick Drake, The Incredible String Band, Brotherhood Of Breath, Shirley Collins, John Martyn, Vashti Bunyan, and many others)

I’ve always been a sucker for music that can’t be categorized, particularly if it’s intelligent as well. Trembling Bells stuck out a mile from a list of groups I was asked to consider for a concert I was organizing in the summer of 2009. For a start, the music was more than just ‘live in the studio’, it was alive, and you don’t often hear that these days.

A lot of that came from the drums. It isn’t always a good thing if the drumming is the first thing you notice on a record, but in this case it was. Inventive, original, devoid of cliche; it made sense when it turned out Alex Neilson wrote the songs and had started the Bells.

I was also startled by Lavinia Blackwall’s vocals, which come from a time past when girls with trained voices took up the guitar, grew their hair long and sang ballads. I never liked that kind of singing much, but to my surprise I enjoyed her singing a lot. When talking about Trembling Bells, we eventually must confront the F word. I would argue that they incorporate in their music the essence of ‘folk’ without the form that can annoy many listeners. That means that their lyrics and melodies have a sense of history and Britishness that most contemporary bands lack, but without any of the ‘heritage’ atmosphere that clings to even the best revivalists in the folk world. Neilson’s lyrics weave rural imagery with edgy romanticism and cultured references.

For example:

When I held you in my arms like lovers do, I’m told I was reminded of a shipwreck victim’s hold While a million distant suns illumind darkest night I will nominate you polestar of my life

Or

My lover, my gold oriole in the morning Golden-throated song thrush singing Eidetic finch first spied on by Darwin A lover’s arms, a child’s smile, a man’s good gift of love She gave them to me, I give them to you.

Trembling Bells . Neilson, Blackwall, guitarist Mike Hastings and Stephen Shaw on bass . are that rarest of beasts, a one-off. Modern technology is supposed to grant us an unlimited palate of synthesized sounds and a opportunity for everyone, even the most unusual, to get a hearing. Funny that; everything seems to sound so similar! So treasure these Bells, swimming so strong on their own tide.