DANCEFLOOR CLASSICS VOL. 2 (10")

クラブミュージック・ダンスミュージック

VLADISLAV DELAY流JUKE/FOOTWORK! 全5種予定の第二弾!!

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レーベル: RAJATON

国(Country): IMPORT

フォーマット: 10"(レコード)

規格番号: RAJATON02_B

通販番号: 1008665951

発売日: 2023年03月17日

EAN: 0880918259178

¥2,970 (税込)

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中古一覧はこちら

商品詳細情報

VLADISLAV DELAY別名義DANCEFLOOR CLASSICSによる複雑で緻密なサンプリングによる実験的ジューク/フットワーク!!

VLADISLAV DELAYの別名義RIPATTI DELUXEの作品を更に先鋭化させたかのような複雑で混沌としたサンプリングにより産み出されたダンスフロアのための10”が完成!

本10インチは45rpmでの高音質仕様、ベースミュージックならではの音圧にこだわったフォーマットをSasu Ripattiがセレクト。

電子音楽の表現領域を数々の実験で拡張してきた彼が本名義で追求するサンプリング。
シンセは使わず、サンプル素材をメインとしているのも特徴的。既存の楽曲や楽器の演奏をサンプリングはもちろん、自らのライブラリ素材をリ・サンプリングすることで、新しい魅力に気づいたとのこと。

1) Tell us something about the EP series ”Dancefloor Classics”, what’s the idea and what can we expect?

I’ve been slowly writing these sort of dance music pieces and finally curated them together for a conceptual release. I like to create music for a dancefloor that exists only in my imagination and doesn’t try to suck up to the standardized reality.

2) Your vinyl format is 10” which is quite special (as opposed to LP / 12”). Why did you choose it?

It’s my favourite format, absolutely. The size is perfect, and you can make it sound really good @ 45 rpm. And you still can make great artwork.

3) You seem interested in sampling/repurposing, what does it mean to you as an artist to approach something already existing from a new angle? How does the source material inform you about the approach to take?

I guess i could flip it around and just say I’ve outgrown synths or electronic sounds to a great extend, and having gotten rid off all my synths already good while ago I’ve used samples as my main source material a lot. It’s obvious on this series that i’ve sampled existing music, but I also sample instruments and things in the studio and resample my own library that I have built over the years, it’s quite large. To me the end result matters, not so much how I get there. Once I have something on my keyboard and play around, it’s all an instrument, though with sampling other music it becomes a really interesting and complex one as you’re possibly playing rhythm, but also harmonic content and maybe hooks or whatever, all at once.
I never sample premeditadedly, like listening to records and looking for that mindblowing 3 sec part. I just throw the cards in the air and see what lands where, just full intuition and hopefully zero mind involved, playing tons of stuff, trying things, just recording hours of stuff. Then comes the interesting part to listen to hours of mostly crazy stuff and finding that mindblowing 3 sec part.

4) What is your relationship with the dancefloor (conceptually and/or in experiences / as a performer)?

Very complicated. I have never really felt comfortable on a dancefloor but have always wanted to. There’s something in club music, in theory, that really speaks to me. It has never really materialized for me – speaking mainly from a performer’s point of view who goes to check on a dancefloor for a moment after a concert. I never have DJ’d or felt much interest towards it. But again, I love the idea and concept of DJing. As well as producing music for imaginary DJs. Lately, as in the past 10+ years, I haven’t even performed in any sort of club spaces. So my relationship to the dancefloor is quite removed and reduced, but there’s quite a bit of passion and interest left.

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All tracks composed and produced by Sasu Ripatti.
Artwork & photography by Marc Hohmann.
Mastering by Stephan Mathieu for Schwebung Mastering.
Vinyl cut by SST Brueggemann.
Publishing by WARP Music Ltd.

ソングリスト

Disc 1

A1. Got Your Money
A2. Didn't You Know
B1. Two-Door
B2. Memory Lane

中古商品一覧

DANCEFLOOR CLASSICS VOL. 2 (10")

DANCEFLOOR CLASSICS / ダンスフロア・クラシックス

- 10インチ［外装：S 未開封］SEALED BASS/EXPERIMENTAL
発送には4日~1週間程度のお時間を頂いております

中古バーコード：22U0396250529

¥2,250(税込)

盤質： S

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