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UNCUT : ULTIMATE MUSIC GUIDE CREEDENCE CLEARWATER REVIVAL
CREEDENCE CLEARWATER REVIVAL / クリーデンス・クリアウォーター・リバイバル
オールドロック- UNCUT / IMPORT / BOOK / 2021MAY / 1008319231 / 2021年05月28日
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売切 注文不可As you’ll discover over these 124 pages of new and archival writing about Fogerty and Creedence Clearwater Revival, this approach was the fuel for an 18 month hot streak in which many of his Creedence classics – “Bad Moon Rising”, “Proud Mary”, “Lodi”… the Dude-pleasing list goes on – were written. As contemporary reporters observe in these pages with a mixture of puzzlement and delight (“Bayou Beat” is one attempted definition of what the band are up to), the group became, in a world struggling to accustom themselves to their absence, a band as big as The Beatles were. As one contemporary observer has it in these pages: the place where The Beatles were trying to get back to is where Creedence started out.How simple it all sounds. Fogerty’s relationship to his music, however, has proved a complex and conflicted one. As Creedence records sold in their millions, he jostled with other band members about his tight control of the music, and faced tough questions about his management of the group. His brother left the band. Having created joyful music, Fogerty began to question the terms he and the band were working under, the whole enterprise becoming intractably linked to poisonous business disagreements. After creating a one man bluegrass band, Fogerty effectively retired from music, not emerging until the triumphant Centrefield album in 1985.His has been a unique journey, marked by periods of intense activity followed by long retreats and deep reflection on his work. In recent years, he has been revitalised by wife Julie and his family, which has lately culminated in his role as a rock Lord of Lockdown, and great Fogerty’s Factory record in which he revisits some of his Creedence classics in the company of his “family band”. His latest release, “Weeping In The Promised Land”, meanwhile, finds a blue collar American hero calling the powerful to account. As we speak, he is restless again, hard at work on preparing a new album.¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1007414590 / 2017年06月07日
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売切 注文不可ROGER WATERS, THE BEATLES, EVAN DANDO AND JASON ISBELL ALL FEATURE IN THE NEW ISSUE OF UNCUT, DATED JULY 2017 AND OUT ON MAY 18.WATERS IS ON THE COVER, AND INSIDE HE DISCUSSES HIS FIRST ROCK ALBUM FOR 25 YEARS, IS THIS THE LIFE WE REALLY WANT?, AS WELL AS PINK FLOYD, TRUMP, BREXIT AND PALESTINE.“IT’S NOT MUCH OF A LEAP FROM ‘IS THIS THE LIFE WE REALLY WANT?’ TO ‘MONEY’ OR ‘US AND THEM’ OR ‘WELCOME TO THE MACHINE’,” HE ADMITS WITH A WOLFISH SMILE. “THEY’RE ALL INTERCONNECTED IN WAYS THAT ARE... UNSUBTLE.”WE ALSO DELVE DEEP INTO THE NEW SUPER DELUXE EDITION OF THE BEATLES‘ SGT PEPPER’S LONELY HEARTS CLUB BAND, AND HEAR FROM GILES MARTIN HOW HE REMIXED THE RECORD, AND WHAT’S LEFT IN THE VAULTS. “YOU REALISE WHY WE’RE SO ATTRACTED TO THEM,” HE EXPLAINS. “THERE’S SO MUCH ENERGY ON THE TAPES.”AS EVAN DANDO TURNS 50, WE TRACK DOWN THE ERRANT LEMONHEAD IN MARTHA’S VINEYARD TO TALK REISSUES, RYAN ADAMS, A BAND CALLED THE SANDWICH POLICE AND, AT LAST, A NEW ALBUM. “I’M READY,” SAYS DANDO, “TO MAKE A REALLY COOL RECORD NOW.”JASON ISBELL ANSWERS YOUR QUESTIONS IN OUR AN AUDIENCE WITH... FEATURE, REVEALING HIS THOUGHTS ON WILLIE NELSON, A CAT CALLED RICHARD THOMPSON, AND DONALD TRUMP. “TRUMP’S A BAD GUY,” HE SAYS. “YOU CAN’T ROOT FOR THE BAD GUY.”ELSEWHERE, UNCUT MEETS KEVIN MORBY, ONE OF THE DECADE’S MOST SIGNIFICANT NEW SINGER-SONGWRITERS, AND TRACES HIS JOURNEY FROM MIDWESTERN TRAUMAS TO NEW YORK’S STREETLIFE TO THE MOUNTAINOUS WILDS OF LOS ANGELES. “MY WHOLE GOAL IS JUST TO BE LIKE MY HEROES,” MORBY SAYS.AS RIDE AND SLOWDIVE RELEASE NEW ALBUMS, UNCUT TRACKS DOWN THOSE BANDS AND MORE, TO TELL THE FULL STORY OF THE QUIETLY REVOLUTIONARY (AND SOMETIMES VERY NOISILY REVOLUTIONARY) SHOEGAZE SCENE. MEANWHILE, WE DISCOVER HOW A PSYCHEDELIC FOLK UNDERGROUND WAS CREATED IN SCOTLAND IN THE MID-’60S FEATURING BERT JANSCH, THE INCREDIBLE STRING BAND, ANNE BRIGGS, DAVY GRAHAM AND JOHN MARTYN. “IT WAS A MAGIC TIME,” SAYS THE INCREDIBLE STRING BAND’S ROBIN WILLIAMSON. “IT FELT LIKE AN ENCHANTMENT; IT WAS A TOWN WITH A CERTAIN MAGIC TO IT. IT SEEMED LIKE A WONDERFUL MELTING POT.”ALSO IN THE NEW ISSUE, THE SKIDS REVEAL HOW THEY CREATED THEIR HIT “INTO THE VALLEY”, STEVEN VAN ZANDT TAKES US THROUGH THE FINEST ALBUMS HE’S MADE ? FROM SPRINGSTEEN TO HIS NEW SOULFIRE ? AND BRITT DANIEL FROM SPOON RECALLS THE SONGS THAT HAVE SHAPED HIS LIFE.IN OUR INSTANT KARMA FRONT SECTION, WE REMEMBER JONATHAN DEMME, SPEAK TO THE BOOTLEG BEATLES, ENDLESS BOOGIE AND BUFFALO TOM, AND MEET JULIA JACKLIN.IN OUR MAMMOTH REVIEWS SECTION, WE TAKE A LOOK AT NEW ALBUMS FROM FLEET FOXES, DAN AUERBACH, RICHARD DAWSON, LINDSEY BUCKINGHAM & CHRISTINE MCVIE, SAINT ETIENNE, BIG THIEF AND SUFJAN STEVENS, BRYCE DESSNER AND MORE. ARCHIVAL RELEASES REVIEWED INCLUDE THE BEATLES, U2, VAN MORRISON, THE DURUTTI COLUMN, HELIUM AND BILLY MACKENZIE.THIS MONTH’S FREE CD, RUN LIKE HELL, FEATURES 15 TRACKS OF THE BEST NEW MUSIC, INCLUDING JASON ISBELL, KEVIN MORBY, SAINT ETIENNE, SONGHOY BLUES, THE UNTHANKS, MELODY’S ECHO CHAMBER, CAN, RICHARD DAWSON, RIDE AND MORE.¥1,760 (税込)ご注文できません -
UNCUT : ULTIMATE MUSIC GUIDE THE VELVET UNDERGROUND
VELVET UNDERGROUND (& NICO) / ヴェルヴェット・アンダーグラウンド & ニコ
オールドロック- UNCUT / IMPORT / BOOK / 2021NOVEMBER / 1008411271 / 2021年12月09日
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売切 注文不可“What startling possibilities awaited us”When Lou Reed died in 2013, Uncut lovingly entered into an enterprise tinged with a certain irony. This was our Ultimate Music Guide to Lou Reed: in which we commemorated the work of a musician who disdained veneration, and whose hostility to music journalists – any journalists, really – had weirdly become its own part of the story.The best part of a decade later, with an excellent new Todd Haynes documentary revisiting this key part of Lou’s legacy, our latest Ultimate Music Guide puts The Velvet Underground at the centre of the story. On the following pages, you will read all about that band – their revolutionary beginnings, to their melodic streamlining, their disputed endgame, and their paradoxical reunion. We dive deep into much-loved recordings and unpack the darkest box set corners. There’s insightful new writing on the band and its diasporas, including a passionate account of their transitional 1968-9, from a scene-stealing star of the Haynes documentary, Jonathan Richman.You will also find music by Velvets alumni John Cale and Nico assessed in the depth it deserves. As you’ll read on the following pages, post-VU the pair moved in very different orbits – Cale an in-demand producer/arranger and demented live performer; Nico leading a more sketchy and penurious existence, though not one without support – only to regroup at key moments. Even 30 years after their final collaboration, Cale still sounds floored by the power of Nico’s initial vision. “She’d had a hand in a couple of songs on Chelsea Girl,” he recalls for Allan Jones in 2011, “but where the songs for Marble Index came from I don’t know. That’s a mystery.”Their shared history wasn’t all good but they couldn’t ever completely outrun it. “I was in the Velvet Underground,” Nico needlessly reminds one enthused NME reporter in 1981. “I was always going to do rock ‘n’ roll – even if only for one album.” In the selected archival interviews with Lou Reed included here, the Velvets are never far from his thoughts. “If you played the first three albums in order,” he tells Richard Williams in 1972, “it would really make huge total sense”. “How lucky we were,” he tells Danny Kelly in 1990, “to be involved with something so perfect first time around.”Were it have been up to him, you suspect Lou would have liked the last words on the Velvet Underground to have been his own. In this publication at least, they belong to Cale – though Lou perhaps might have grudgingly agreed with Cale’s sentiment. Namely, that disagreement – with each other; with the status quo, was the band’s priceless creative spark.“We understood how our differences, if cultivated, could turn everything in music on its head,” Cale tells Uncut, “and show what startling possibilities awaited us.”Enjoy the magazine.¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1007937274 / 2019年06月27日
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売切 注文不可MY MAIN MEMORIES OF OASIS‘ IMPERIAL PHASE ARE LESS TO DO WITH THE MUSIC BUT, RATHER CURIOUSLY, MORE ABOUT LINGERING TRANSPORT ISSUES. I’D LIKE TO SAY I HAVE SPLENDIDLY RESONANT MEMORIES OF KNEBWORTH; ALAS, ALL I REALLY REMEMBER IS GETTING LOST IN AN INADEQUATELY SIGNPOSTED MAKESHIFT CAR PARK IN A FIELD. FOR MAINE ROAD, IT’S GETTING LOST SOMEWHERE ON THE OUTSKIRTS OF MANCHESTER AND BEING HASSLED AT A RED LIGHT BY SOME LADS WHO OFFERED TO LOOK AFTER THE CAR FOR ?20. MY MEMORIES OF EARL’S COURT, MEANWHILE, CHIEFLY CONCERN THE DIFFICULT PASSAGE FROM WEST LONDON WITH 20,000 OTHER PEOPLE ON A POORLY MAINTAINED DISTRICT LINE.THANKFULLY, OUR LATEST DELUXE, ENHANCED ULTIMATE MUSIC GUIDE IS A WELCOME REMINDER OF LIAM, NOEL AND CO IN THEIR YOUTHFUL PRIME AND BEYOND. THIS EDITION HAS BEEN UPDATED TO INCLUDE NEW WRITING ON LIAM AND NOEL SOLO, AN INTRO AND LAST WORDS FROM LIAM ? AND HIS LIFE IN PICTURES. AMONG ITS MANY QUALITIES, THE BOOKAZINE UNDERSCORES THE SHEER SPEED OF THEIR ASCENT ? “THREE YEARS FROM THE BOARDWALK TO PLAYING TO QUARTER OF A MILLION PEOPLE IN A FIELD,” NOTES BONEHEAD IN THE INTRO TO THE ORIGINAL 2014 EDITION OF THIS UMG.ME, LIAM, GUIGS AND TONY HAD THE RAIN GOING. WE HAD A HANDFUL OF SONGS, BUT NOTHING THAT WAS GOING TO SET THE WORLD ON FIRE. NOEL WAS TOURING WITH THE INSPIRAL CARPETS, AND WHEN HE GOT BACK, HE GOT WIND WE WERE IN A BAND. HE SAID TO LIAM, “CAN I COME DOWN TO REHEARSAL AND HAVE A BIT OF A JAM WITH YOU?” WE WERE LIKE “YEAH, NOT A PROBLEM. SEND HIM DOWN.” SO HE CAME IN AND SAID, “I’VE GOT A FEW SONGS WRITTEN, SHALL WE HAVE A JAM THROUGH THEM?” WE SAID, “GO ON THEN.” IT WAS LIKE US WITNESSING OUR FIRST OASIS CONCERT REALLY: “LIVE FOREVER”, “CIGARETTES AND ALCOHOL”, ALL THESE SONGS. “I’VE GOT ANOTHER ONE...” “WHAT’S IT CALLED?” “’ROCK ‘N’ ROLL STAR’”. “SHIT TITLE MATE, BUT LET’S HAVE A LISTEN.” IT BLEW US AWAY, REALLY. IT WAS LIKE, “HANG ON A MINUTE ? THESE ARE FUCKING SONGS...” NOEL’S GOT A HEAP OF ATTITUDE, BUT HE DIDN’T WALK IN LIKE “I’VE GOT THESE SONGS SO I’M TAKING CONTROL...” WE SPENT A COUPLE OF WEEKS JAMMING. IT WAS MORE A CASE OF “IS IT OK IF I JOIN YOUR BAND?” “WELL ? YEAH.” IT WAS A BUNCH OF MATES MAKING A RACKET ? BUT A GREAT RACKET. THIS WAS IN A REHEARSAL SPACE CALLED THE RED HOUSE IN MANCHESTER, OPPOSITE WHERE THE INSPIRALS HAD THEIR OFFICE. IT’S PROBABLY APARTMENTS NOW. THEN WE MOVED ON TO THE BOARDWALK. WE THOUGHT, “WE’VE GOT SOMETHING HERE, WE NEED A REGULAR SPACE” SO WE MOVED THERE. WE WERE RELIGIOUS IN OUR ROUTINE. GUIGS HAD A 9-5 FOR BRITISH TELECOM, SO HE WOULD LEAVE THERE AND GO STRAIGHT DOWN THE BOARDWALK, WE’D ALL BE THERE SHORTLY AFTER. WE’D DO THAT EVERY NIGHT, EVEN FRIDAY. PEOPLE WOULD SAY, “COME AND HAVE A BEER” AND WE’D BE LIKE: “NO. WE’RE DOING THIS.” WE KNEW WE WERE ONTO SOMETHING.¥3,080 (税込)ご注文できません -
UNCUT : ULTIMATE MUSIC GUIDE JIMI HENDRIX
JIMI HENDRIX (JIMI HENDRIX EXPERIENCE) / ジミ・ヘンドリックス (ジミ・ヘンドリックス・エクスペリエンス)
オールドロック- UNCUT / IMPORT / BOOK / 1007968789 / 2019年08月20日
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売切 注文不可A FEW MONTHS AGO, IN UNCUT, THE PHOTOGRAPHER HENRY DILTZ REFLECTED ON WOODSTOCK ? THE FESTIVAL AT WHICH HE HAD SERVED AS OFFICIAL PHOTOGRAPHER. “WHEN PEOPLE ASK ME FOR MY HIGHLIGHT OF WOODSTOCK, THERE’S NO QUESTION THAT JIMI HENDRIX WAS THE RIVETING MOMENT,” HE TOLD US. “HE STARTED PLAYING THAT SOLO VERSION OF ‘THE STAR-SPANGLED BANNER’ AND MY IMMEDIATE THOUGHT WAS: ‘WHY IS HE PLAYING THIS? THAT’S NOT OUR HIPPIE ANTHEM.’ BUT THEN I REALISED, ‘NO, THAT’S OUR ?SONG. WE’RE RECLAIMING THAT!’”YOU CAN READ MORE ABOUT BOTH WOODSTOCK IN OUR UPGRADED ULTIMATE MUSIC GUIDE, CELEBRATING THE GENIUS OF JIMI HENDRIX, WHICH IS ON SALE LATER THIS WEEK. THERE, IN JOHN ROBINSON’S VIVID ORAL HISTORY OF THE FESTIVAL, YOU CAN DISCOVER SECRETS AND INSIGHTS INTO THIS STORIED EVENT ? AND OF COURSE, HENDRIX’ ROLE IN IT ALL. THAT IS JUST ONE OF SEVERAL NEW FEATURES INCLUDED IN OUR DELUXE, ENHANCED HENDRIX UMG: THERE’S PETER WATTS’ COMPELLING READ ON ELECTRIC LADYLAND AS WELL AS A 1969 MELODY MAKER FEATURE BY BOB DAWBARN, AS WELL AS OTHER UPDATED BITS AND BOBS ON LIVE ALBUMS AND FILMS. IT’S IN SHOPS ? AND AVAILABLE TO BUY FROM OUR ONLINE STORE HERE.““JIMI...” THEY OFTEN SAY AS THEY SIGH A LITTLE, “...WAS JIMI.”IT’S NOT THE SORT OF REMARK THAT YOU ESPECIALLY WANT TO HEAR ON A TRANSATLANTIC PHONE CALL, HOPING FOR A FRESH INSIGHT ON A MUSICIAN LONG SINCE PASSED AWAY. STILL, THE MORE TIME YOU SPEND TALKING TO THEM, YOU CAN UNDERSTAND HOW HIS INTIMATES OFTEN FOUND IT HARD TO SUMMARISE SUCCINCTLY THE MERCURIAL NATURE OF JIMI HENDRIX THE PERSON, AND THE SHEER SCOPE OF HENDRIX THE MUSICIAN.IN THIS REVISED, UPDATED AND SPLENDIDLY EMBROIDERED DELUXE EDITION OF OUR ULTIMATE MUSIC GUIDE TO THE MUSIC OF JIMI HENDRIX, YOU’LL MEET MANY OF THOSE JIMIS. THE PSYCHEDELIC POP STAR BLOWING MINDS ? AND REVEALING PREJUDICES ? IN SWINGING LONDON. THE SOCIALITE JAM SESSIONEER, SITTING IN WITH A VAST ROSTER OF MUSICIANS, ALL THE WHILE CONSIDERING HIS NEXT MOVE. THE ADVENTURER BREAKING WITH A PROVEN MUSICAL PATH TO TRY AND ACCOMMODATE THE IDEAS ? MUSICAL, SOCIAL, SPIRITUAL ? WHICH WERE IN HIS HEAD.THERE’S A CORE BODY OF WORK HERE, IN WHICH THESE ARTISTIC PERSONAE ARE REPRESENTED. THE MAGNIFICENT FIRST TRIO OF ALBUMS (“ALL YOU REALLY NEED”, ACCORDING TO THE LATE ALAN DOUGLAS, A FRIEND TO AND ONCE- CONTROVERSIAL PRODUCER OF HENDRIX’S POSTHUMOUS WORK) ARE A FEAST OF NEW SONIC WORLDS, SCIENCE-FICTION SOUL AND ROOTSY ROCK’N’ROLL. NOTED FOR THEIR GUITAR FIREWORKS AND DISORIENTATING EFFECTS, THEY ARE ALSO WITTY, STRANGE AND SEXY.¥3,080 (税込)ご注文できません -
UNCUT : ULTIMATE MUSIC GUIDE CROSBY,STILLS NASH & YOUNG
CROSBY, STILLS, NASH & YOUNG / クロスビー・スティルス・ナッシュ&ヤング
オールドロック- UNCUT / IMPORT / BOOK / 1007999697 / 2019年09月26日
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売切 注文不可THE LATEST EDITION OF UNCUT'S ULTIMATE MUSIC GUIDE SERIES WILL FEATURE THE WORK OF CROSBY, STILLS, NASH & YOUNG.FEATURING AN EXCLUSIVE FOREWORD BY GRAHAM NASH, CANDID ARCHIVE INTERVIEWS, AND NEW WRITING ON EVERY ALBUM BY CSN, CSNY, AND EACH CROSBY, STILLS AND NASH SOLO ALBUM, THIS ENGROSSING 124 PAGE MAGAZINE TELLS THE COMPLETE, TUMULTUOUS STORY OF ONE OF THE BIGGEST-SELLING AMERICAN GROUPS OF ALL TIME.¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1008014595 / 2019年10月24日
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売切 注文不可DELUXE MONSTER EDITIONINTRODUCING THE DEFINITIVE GUIDE TO THE MUSIC OF REM: THE NEW, MONSTER ? AND INDEED MONSTER ? 148 PAGE DELUXE EDITION OF OUR REM ULTIMATE MUSIC GUIDE.EVERY ALBUM REVIEWED. REVEALING ARCHIVE INTERVIEWS UNEARTHED.ALSO NOW INCLUDES: MAKING THE ONE I LOVE, THE VIEW FROM THE REM VAULT AND A NEW AFTERWORD FROM PETER BUCK.¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 2020ISSUE2 / 1008089515 / 2020年02月26日
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売切 注文不可Something to read while you queue for tickets for their forthcoming shows, our latest deluxe edition Ultimate Music Guide focuses on the music of THE WHO – now fully-updated to account for their late-career resurgence with a remarkable new album, WHO. Featuring all the albums are reviewed in depth, with a riot of destructive archive features, too.¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1008066098 / 2020年01月15日
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売切 注文不可BRIDGE OVER TROUBLED WATER IS 50! TO CELEBRATE THIS, AND TO COMMEMORATE OVER 60 YEARS OF THEIR MUSIC-MAKING ? BOTH SEPARATELY, AND AS A DUO ? WE PRESENT THE LATEST ULTIMATE MUSIC GUIDE: SIMON & GARFUNKEL. AS EVER THE MAG IS A CLOSE HARMONY OF INSIGHTFUL NEW WRITING AND ENTERTAINING ARCHIVE READS. EVERY ALBUM IS REVIEWED IN DEPTH, AND THERE'S THE LOWDOWN ON THE SINGLES, THE COLLABORATIONS AND THE FILMS TOO.¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 2021FEB / 1008271708 / 2021年02月25日
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廃盤Get up, stand up! Continuing his 75th birthday celebrations, we present the Deluxe, expanded Ultimate Music Guide to Bob Marley. With in-depth reviews and inspiring archive interviews, it’s the definitive guide to the legend and his music.¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1008055040 / 2019年12月24日
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売切 注文不可HEAVY DELUXE EDITIONI WANT YOU SO BAD IT'S DRIVING ME MAD! PRESENTING THE DELUXE 148-PAGE EDITION OF OUR ULTIMATE MUSIC GUIDE TO THE BEATLES. FEATURING A BLEND OF ENTERTAINING ARCHIVE FEATURES (SEE: GEORGE ON ABBEY ROAD) AND INSIGHTFUL 21ST CENTURY WRITING ON THE BAND (GILES MARTIN'S REMIXES ARE REVIEWED IN DEPTH), IT'S THE DEFINITIVE GUIDE TO THE BAND. YEAH! YEAH! YEAH!¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1008040999 / 2019年12月04日
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売切 注文不可COMMEMORATING 40 YEARS SINCE UNKNOWN PLEASURES, THE LATEST IN OUR ULTIMATE MUSIC GUIDE SERIES COVERS BOTH JOY DIVISION AND NEW ORDER. DRUMMER STEPHEN MORRIS INTRODUCES AN ISSUE BLENDING INSIGHTFUL NEW REVIEWS WITH ENTERTAINING ARCHIVE FEATURES, AS THE ACCIDENTAL POP PIONEERS VENTURE FROM MANCHESTER TO IBIZA AND BEYOND...¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1007524052 / 2017年10月24日
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売切 注文不可TOM WAITS, AS YOU PROBABLY KNOW, IS RIGHT ABOUT MOST THINGS AND AMUSINGLY DUPLICITOUS ABOUT MOST OTHERS. HE IS NOT, THOUGH, INFALLIBLE. IN OCTOBER 1985, NME’S GAVIN MARTIN MET WAITS AT A DINER ON NEW YORK’S LOWER WEST SIDE, FOR AN INTERVIEW SQUEEZED IN BETWEEN SUNDAY BABYSITTING DUTIES AND A VISIT FROM THE IN-LAWS.AMONG THE TALL TALES, WAITS ATTEMPTED TO PUT JOURNALISTIC PRETENSIONS IN PERSPECTIVE. “MUSIC PAPER INTERVIEWS,” HE TOLD MARTIN, “I HATE TO TELL YA BUT TWO DAYS AFTER THEY’RE PRINTED THEY’RE LINING THE TRASHCAN. THEY’RE NOT BINDING, THEY’RE NOT LOCKED AWAY IN A VAULT SOMEWHERE TYING YOU TO YOUR WORD.”THOSE OLD INTERVIEWS WITH NME, MELODY MAKER, VOX AND UNCUT MIGHT NOT CONSTITUTE A LEGAL CONTRACT: TOM WAITS REMAINS, TO THIS DAY, FREE TO CONTRADICT HIMSELF WHENEVER HE WANTS. THEY HAVE, THOUGH, BEEN LOCKED AWAY IN A VAULT, WAITING TO BE EXHUMED FOR THIS LATEST IN UNCUT’S SERIES OF DELUXE, UPDATED ULTIMATE MUSIC GUIDES; AVAILABLE IN UK SHOPS ON THURSDAY AND, OF COURSE, FROM OUR ONLINE SHOP.TOM WAITS IS REGULARLY FETED AS ONE OF THE MOST INVENTIVE MUSICIANS OF THE PAST 40 YEARS, BUT IN THESE PAGES HE’S ALSO REVEALED AS ONE OF THE MOST COMPELLING RACONTEURS. HERE, RESCUED FROM OBLIVION, WE’VE REPUBLISHED A TRANCHE OF INTERVIEWS THAT ARE FULL OF BEATNIK STRANGENESS, ARCANE WISDOM AND THE MOST PHANTASMAGORICAL SHAGGY DOG STORIES. THERE IS A TRIP TO BEDLAM, TALK OF “DEMENTED KABUKI BURLESQUE” AND A CAREER IN GOLF, INTERVIEWS SOLD FOR $29.95, AND A GREAT YARN ABOUT HOW WAITS MET KEITH RICHARDS WHILE THEIR WIVES SHOPPED FOR BRAS. “THE TRUTH OF THINGS IS NOT SOMETHING I PARTICULARLY LIKE,” HE ADMITTED TO PETE SILVERTON IN 1992.”I GO MORE FOR A GOOD STORY THAN WHAT REALLY HAPPENED. THAT’S JUST THE WAY I AM.”MORE RELIABLE ? AND HOPEFULLY JUST AS ENTERTAINING ? ARE THE COMPREHENSIVE REVIEWS OF EVERY TOM WAITS ALBUM, PROVIDED BY UNCUT’S CREW OF NIGHTHAWKS AND JUNKYARD SCHOLARS, AND FRESH INSIGHTS INTO THE MAKING OF THOSE RECORDS BY WAITS’ CLOSEST COLLABORATORS. THE ANTIC SPIRIT AND EVOLVING BRILLIANCE OF WAITS’ MUSIC IS A GIVEN HERE, BUT IT’S THE REMARKABLE CONSISTENCY THAT BECOMES MOST STRIKING AS WE CHART A PATH BETWEEN CLOSING TIME AND BAD AS ME; A DISCOGRAPHY FULL OF UNEXPECTED TURNS, BUT STARTLINGLY FREE OF WRONG ONES.WELCOME, THEN, BUT PROCEED WITH CARE: DON’T GO INTO THAT BARN!¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1007845382 / 2019年01月22日
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売切 注文不可IN 2012, I INTERVIEW BRYAN FERRY FOR OUR REGULAR AN AUDIENCE WITH... FEATURE. SITTING IN THE LIBRARY ABOVE HIS STUDIO IN WEST LONDON, HE FIELDED QUESTIONS COVERING WRITERS’ BLOCK, THE WHEREABOUTS OF HIS ANTONY PRICE SUITS AND THE ’60S MUSIC SCENE IN NEWCASTLE BEFORE WE CAME TO THIS ONE FROM FERRY’S ROXY MUSIC BANDMATE, ANDY MACKAY: “WOULD YOU LIKE TO FINISH THE ALBUM WE STARTED IN 2006?” THE QUESTION, I REMEMBER, HUNG IN THE AIR WHILE FERRY GATHERED HIS THOUGHTS.“NOT SURE,” HE SAID. “WAS THERE QUITE A LOT OF WORK DONE ON IT? NOT REALLY, NO. I DIDN’T GET EXCITED ABOUT IT AT THE TIME PARTICULARLY. I TRIED TO, THEN I RAN OUT OF ENTHUSIASM FOR IT. WE DID A LOT OF SHOWS, BUT TAKING IT INTO THE STUDIO IS A DIFFERENT THING. A LOT OF THE ONUS IS ON ME. I THINK, OVER THE YEARS, I GOT SO USED TO MAKING WHAT WE CALL SOLO ALBUMS ? BUT THEY’RE NOT REALLY SOLO ALBUMS, THEY’RE WHERE I CHOOSE WHO PLAYS ON WHAT. BASICALLY, I WANTED TO DO THAT AGAIN. MY HEART WASN’T IN IT, AND IT WAS POINTLESS DOING IT. MAYBE SOME OTHER DAY IT COULD COME BACK. IF ONE OF THE GUYS IN ROXY CAME TO ME WITH A FABULOUS TUNE, THEN I MIGHT CHANGE MY MIND...”FOR THOSE OF US WHO’D BEEN EAGERLY FOLLOWING THE ON-OFF STORY OF A NEW ROXY ALBUM ? THEIR FIRST SINCE 1982, AND THEIR FIRST INVOLVING BRIAN ENO SINCE 1973 ? FERRY’S COMMENTS SEEMED LIKE A RATHER DISAPPOINTING FULL-STOP TO THE BAND’S GLORIOUS CAREER. IT IS A CAREER, INCIDENTALLY, THAT YOU CAN RELIVE AGAIN IN ALL ITS GLORY IN OUR HANDSOME ROXY MUSIC ULTIMATE MUSIC GUIDE.AS EDITED BY JOHN ROBINSON, THIS 124 PAGE MAGAZINE IS, WE MODESTLY BELIEVE, THE DEFINITIVE GUIDE TO THE BAND’S MUSIC. YOU’LL FIND INSIGHTFUL NEW WRITING ON EVERY ALBUM, A SLEW OF ARCHIVE FEATURES FROM THE MELODY MAKER, NME AND UNCUT VAULTS AS WELL AS A DECADE BY DECADE LOOK AT THE SOLO WORK OF MESSERS FERRY AND ENO.BACK TO FERRY, THEN, IN HIS LIBRARY AND ONE FINAL, WARM MEMORY OF ROXY AS THE START OF THEIR CAREER, RATTLING AROUND THE UK ON THEIR EARLY, PROVINCIAL TOURS. “IT WAS EXCITING, TRAVELLING AROUND IN A VAN,” SAID FERRY. “WE DIDN’T DO IT FOR VERY LONG, WE WERE VERY FORTUNATE. WE WERE JUST BEGINNING TO BE KNOWN. IT WAS THE FIRST THIS, THE FIRST THAT. IT WAS A LAUGH, PLAYING PLACES LIKE SCARBOROUGH. SLEEPING IN THE VAN OVERNIGHT. ENO WAS A LAUGH, WE GOT ON VERY WELL. AND ANDY MACKAY WAS REALLY VERY AMUSING, VERY DRY. SO WE SPENT A LOT OF TIME LAUGHING, REALLY. PAUL WAS A CHARACTER... THEY WERE ALL CHARACTERS.“I WAS PROUD OF THAT BAND.”¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1007953308 / 2019年07月23日
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売切 注文不可A TELEPHONE LINE CRACKLES. “HELLO,” SAYS A VOICE, “IT’S RINGO HERE.” MY SOLE ENCOUNTER WITH RINGO ? TO DATE ? IS A PHONER INTERVIEW. 30 MINUTES, ON THE BUTTON, FOR UNCUT’S AN AUDIENCE WITH... FEATURE. EVEN SO, DESPITE THESE UNPROMISING CIRCUMSTANCES, THE INTERVIEW ITSELF WAS GREAT FUN. CONDUCTED WHILE RINGO WAS HOLED UP IN AN LA HOTEL DOING PRESS FOR HIS THEN-CURRENT ALBUM, POSTCARDS FROM PARADISE, HERE WAS A MAN OF NOT INCONSIDERABLE WIT AND CHARISMA, WHOSE OPENING LINE WENT, “I WAS JUST IN THE CAR COMING HERE, ‘EIGHT DAYS A WEEK’ WAS ON THE RADIO AND IT ROCKED.” FAIR ENOUGH, YOU MIGHT THINK.RINGO’S MOOD ? PLAYFUL, GENEROUS ? WAS PERHAPS ENCOURAGED BY THE FACT THAT THE QUESTIONS ? SUBMITTED BY READERS AS WELL AS FANS AND CONTEMPORARIES INCLUDING PAUL WELLER, MARIANNE FAITHFULL AND JEFF LYNNE ? WERE NOT RESTRICTED TO THOSE MAGICAL EIGHT YEARS IN THE FABS. STARR GAMELY FIELDED QUESTIONS ABOUT TWITTER, BUTLINS, PETER SELLERS, HARRY NILSSON AND FRANK ZAPPA. HE ALSO PROVIDED SOME AMUSING INSIGHT INTO THE EARLY ’60S RIVALRY BETWEEN THE ERA’S TOP TIER. DID YOU HAVE ANY GOOD NICKNAMES FOR OTHER BANDS?, WENT ONE QUESTION. “BASTARDS,” HE DEADPANNED WITHOUT MISSING A BEAT.IF ANYTHING, THE INTERVIEW PROVED RINGO WAS A MAN OF MANY ACCOMPLISHMENTS ? BOTH WITH AND OUTSIDE OF THE BEATLES. AS OUR LATEST ULTIMATE MUSIC ILLUSTRATES, RINGO WORE MANY HATS ? BEATLE, SOLO ARTIST, ACTOR AND LATTERLY BAND LEADER WITH HIS ALL-STARR BAND COLLECTIVE, NOW IN ITS 30TH YEAR.YOU’LL FIND ALL THESE DIFFERENT ELEMENTS BROUGHT VIVIDLY TO LIFE IN ARCHIVE INTERVIEWS FROM MELODY MAKER AND NME, BRAND NEW IN-DEPTH REVIEWS OF EVERY RINGO ALBUM, RINGO ON FILM, RARITIES, COMPS, LIVES AND MUCH MORE.¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1007917317 / 2019年05月22日
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売切 注文不可I INTERVIEWED BRIAN ENO A FEW YEARS AGO FOR A WIDE-RANGING CHAT THAT ENCOMPASSED, AMONG OTHER THINGS, HIS VAST REPERTOIRE OF COLLABORATORS. IS THERE A THREAD, I ASKED HIM, THAT LINKS ARTISTS LIKE DAVID BOWIE, GAVIN BRYARS, DAVID BYRNE, ROBERT FRIPP, JOHN CALE... “IT’S STANDING OUTSIDE OF MUSIC IN SOME WAY,” REFLECTED ENO. “LOOKING AT IT AND SEEING IT NOT ONLY AS SOMETHING YOU LOVE AND YOU’RE PASSIONATELY ENGAGED WITH BUT AS A SET OF EXPERIMENTS YOU COULD DO IN OTHER WAYS. IF YOU BROADLY DIVIDE MUSICIANS UP, YOU HAVE THE KIND WHO ARE SO INTO A STYLE THAT’S WHAT THEY DO ? NOTHING WRONG WITH THAT, THEY’RE GREAT PLAYERS. FRIPP, BY CONTRAST, IS SOMEONE WHO SITS OUTSIDE MUSIC AND THINKS, ‘YOU COULD DO IT DIFFERENTLY. YOU COULD HAVE A KIND OF MUSIC THAT GOES LIKE THIS...’ SO HE INVENTS A NEW, STRANGE AND VERY HARD FOR MOST OTHER PEOPLE TO PLAY MUSIC STYLE. JOHN CALE IS LIKE THAT AS WELL. AND I’M LIKE THAT.”ENO AND FRIPP’S COLLABORATIVE ALBUMS HAVE BEEN ENGAGING, EXPLORATORY COMPANION PIECES TO THEIR MAIN CAREERS ? FROM THE SOMBRE WHIRLS OF “WIND ON WATER” TO THE IMPOSSIBLY BEAUTIFUL “NORTH STAR“. FRIPP, THOUGH, WHETHER SOLO, AS A COLLABORATOR OR WITH KING CRIMSON HAS SPENT THE LAST 50 YEARS ENJOYING A CAREER AS A MOST SINGULAR AND INVENTIVE ARTIST ? FROM THE BOUNDARY-WRECKING JAZZ ROCK OF CRIMSON’S “21ST CENTURY SCHIZOID MAN” THROUGH TO THE POLYRHYTHMIC COMPLEXITIES OF “THELA HUN GINJEET” AND BEYOND.OUR LATEST ULTIMATE MUSIC GUIDE ? AS IF YOU HADN’T GUESSED BY NOW ? IS A CELEBRATION OF ALL THINGS CRIM, AS THE BAND’S 50TH ANNIVERSARY CONTINUES APACE. INSIDE THE MAGAZINE INCLUDES ARCHIVE FEATURES FROM MELODY MAKER AND NME, IN-DEPTH NEW REVIEWS OF EVERY CRIMSON/FRIPP ALBUM AS WELL AS A UNIQUE AUDIENCE WITH FRIPP FROM EARLIER THIS YEAR. “I’VE BEEN TRYING TO GIVE KING CRIMSON AWAY TO SOMEONE ELSE FOR AT LEAST 45 YEARS,” FRIPP EXPLAINS. “GOING BACK TO 1974, WHEN I WAS OVERWHELMED BY THE SHEER TERROR AND STUPIDITY OF THE PROFESSIONAL LIFE IN WHICH I WAS INVOLVED, ANOTHER DIRECTION WAS SPEAKING TO ME. BUT AT THE SAME TIME I FELT RESPONSIBLE FOR THE OTHER MEMBERS OF THE BAND, THE ROADIES AND THE MUSIC...”¥3,080 (税込)ご注文できません -
表紙に傷ありにつき特価
- UNCUT / IMPORT / BOOK / 1007769676 / 2018年09月26日
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売切 注文不可UNCUTが贈る究極ガイド・シリーズ!AS DEEP PURPLE GEARED UP FOR THEIR LONG GOODBYE TOUR IN EARLY 2017, IAN PAICE HAD A FEW THOUGHTS ON THE BAND’S LONG AND STORIED HISTORY. “THE RECORDS WILL REMAIN, OR THEY WON’T,” HE TOLD UNCUT. “BUT IT’S ABOUT HOW YOU AFFECT PEOPLE AROUND YOU. THE PEOPLE WE’VE INSPIRED TO PICK UP A GUITAR, GET A DRUM KIT OR A MICROPHONE. THAT’S THE BEST LEGACY.” MEANWHILE, HIS BANDMATE IAN GILLAN HAD THIS TO SAY ABOUT THE BANDS MOST ENDURING QUALITIES: “THE PRIMARY DRIVING FORCE OF IT ALL WAS THE SHEER ABANDONED JOY OF MAKING MUSIC TOGETHER. AND THAT HAS STAYED WITH US.”AS YOU MIGHT HAVE GATHERED BY NOW, DEEP PURPLE ARE THE SUBJECT OF OUR LATEST ULTIMATE MUSIC GUIDE ? A CELEBRATION OF 50 YEARS IN ROCK, NO LESS, WITH NEW WRITING ON EACH OF THEIR ALBUMS AND A SERIES OF CLASSIC ARCHIVE FEATURES, MANY UNSEEN SINCE ORIGINAL PUBLICATION. THERE ARE DIGRESSIONS INTO RAINBOW, AN INVALUABLE MISCELLANY AND... THE DEEP PURPLE FAMILY VENN DIAGRAM!THE ISSUE GOES ON SALE THURSDAY, SEPTEMBER 13 ? AND YOU CAN ORDER A COPY NOW FROM OUR ONLINE STORE.AND HERE’S AN EXCERPT FROM IAN PAICE’S EXCLUSIVE INTRODUCTION TO OUR GUIDE TO FURTHER WHET YOUR APPETITES...“NOBODY EXPECTED DEEP PURPLE TO BE HERE FIFTY YEARS ON, STILL HAVING FUN DOING SOMETHING THAT PEOPLE WANT TO SEE AND LISTEN TO. THAT’S AN AMAZING THING. I DON’T THINK ANY ONE OF US GAVE THE ANNIVERSARY A CONSCIOUS THOUGHT. IT’S BEEN THERE SO LONG ? IT’S WHAT YOU ARE AND WHAT YOU DO.“THE MOMENTS OF INCEPTION HAVE BEEN THE FONDEST MEMORIES. ONCE I’D GOT THE JOB IN ’68, THAT WAS AMAZING, BALANCED BY THE FEELING OF ABSOLUTE DESOLATION WHEN THE BAND DESTROYED ITSELF. ANY BAND THAT’S BEEN AROUND FOR ANY DURATION HAS HAD A ROCKY ROAD. YOU’RE ASKING FOUR OR FIVE TOTALLY DIFFERENT CHARACTERS TO DEAL WITH EACH OTHER IN A VERY HIGH-PRESSURE SITUATION, OVER A LONG PERIOD OF TIME. LIKE A MARRIAGE, IT DOESN’T ALWAYS RUN SMOOTH. WHEN YOU’RE GOING AROUND THE WORLD, YOU’RE ALL YOU’VE GOT. THE FACT THAT YOU ARE UNDER THIS COMPRESSED SOCIAL CIRCLE MEANS THAT OCCASIONALLY IT DOES GET VOLATILE.”READ MORE AT HTTPS://WWW.UNCUT.CO.UK/BLOG/INTRODUCING-DEEP-PURPLE-ULTIMATE-MUSIC-GUIDE-107206#ARPTOGWMWDMDKQHP.99¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1007901706 / 2019年04月23日
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売切 注文不可FOR ARDENT SMITHS’ WATCHERS, THESE CAN OFTEN BE TRYING TIMES. MORRISSEY AND JOHNNY MARR SEEM TO HAVE DIVERGED IDEOLOGICALLY TO THE POINT WHERE THEY HAVE LITTLE LEFT IN COMMON BEYOND A SHARED HISTORY THAT ENDED OVER 30 YEARS AGO. THE MOMENTS WHERE THEY HAVE INTERACTED FOR LONG SPELLS ? MOST FAMOUSLY, THE REVELATION IN MARR’S MEMOIR THAT THE PAIR DISCUSSED THE POSSIBILITY OF REFORMING THE BAND IN 2008 ? SEEM ALL THE MORE REMOTE AS THEIR SOLO CAREERS CONTINUE TO FLOURISH.MARR’S LAST ALBUM, CALL THE COMET, WAS AS RICH WITH WARMTH AND OPTIMISM AS IT WAS BRIMMING WITH MUSICAL IDEAS; MORRISSEY’S LATEST, CALIFORNIA SON, IS AN UNEXPECTED CAREER SWERVE, A COLLECTION OF COVERS, INCLUDING SONGS BY DYLAN, PHIL OCHS AND BUFFY SAINTE-MARIE. MORRISSEY’S REASONS FOR CHOOSING COVERS AS OPPOSED TO ORIGINALS AT THIS POINT IN HIS CAREER ARE AS YET UNDISCLOSED; AS ARE ANY PARALLELS HE MIGHT SEE BETWEEN THE ‘60S PROTEST MOVEMENT AND THE PRESENT DAY.FOR ARDENT SMITHS’ WATCHERS, THESE CAN OFTEN BE TRYING TIMES. MORRISSEY AND JOHNNY MARR SEEM TO HAVE DIVERGED IDEOLOGICALLY TO THE POINT WHERE THEY HAVE LITTLE LEFT IN COMMON BEYOND A SHARED HISTORY THAT ENDED OVER 30 YEARS AGO. THE MOMENTS WHERE THEY HAVE INTERACTED FOR LONG SPELLS ? MOST FAMOUSLY, THE REVELATION IN MARR’S MEMOIR THAT THE PAIR DISCUSSED THE POSSIBILITY OF REFORMING THE BAND IN 2008 ? SEEM ALL THE MORE REMOTE AS THEIR SOLO CAREERS CONTINUE TO FLOURISH.MARR’S LAST ALBUM, CALL THE COMET, WAS AS RICH WITH WARMTH AND OPTIMISM AS IT WAS BRIMMING WITH MUSICAL IDEAS; MORRISSEY’S LATEST, CALIFORNIA SON, IS AN UNEXPECTED CAREER SWERVE, A COLLECTION OF COVERS, INCLUDING SONGS BY DYLAN, PHIL OCHS AND BUFFY SAINTE-MARIE. MORRISSEY’S REASONS FOR CHOOSING COVERS AS OPPOSED TO ORIGINALS AT THIS POINT IN HIS CAREER ARE AS YET UNDISCLOSED; AS ARE ANY PARALLELS HE MIGHT SEE BETWEEN THE ‘60S PROTEST MOVEMENT AND THE PRESENT DAY.¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1007883037 / 2019年03月26日
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売切 注文不可WHEN ELTON JOHN’S FAREWELL YELLOW BRICK ROAD TOUR BEGAN LAST SEPTEMBER, IT MARKED THE CLOSURE OF ONE CHAPTER IN A LONG AND REMARKABLE CAREER STRETCHING BACK OVER 50 YEARS. THE TOUR REACHES THE UK IN JUNE AND TO MARK THIS MOMENTOUS OCCASION, WE’RE DELIGHTED TO UNVEIL ELTON JOHN: THE ULTIMATE MUSIC GUIDE. INSIDE, YOU’LL FIND OUTRAGEOUS ARCHIVE INTERVIEWS FROM MELODY MAKER AND NME, NEW REVIEWS OF EVERY STUDIO ALBUM AND EVEN A BEHIND-THE-SCENES PEEK AT HIS BIOPIC, ROCKETMAN.TO WHET YOUR APPETITE, HERE’S AN EXCERPT FROM THE INTRODUCTION BY ELTON’S MUSICAL DIRECTOR AND STALWART GUITARIST DAVEY JOHNSTONE...“I FIRST HEARD ABOUT BERNIE AND ELTON’S WORK THROUGH GUS DUDGEON, WHO’D BECOME A GOOD FRIEND OF MINE WHEN I CAME DOWN FROM EDINBURGH TO LONDON. I WAS PART OF THE FOLK SCENE, JAMMING WITH BILLY CONNOLLY, DOING THE ROUNDS UP AND DOWN THE COUNTRY IN AN AFGHAN COAT AND SOMEHOW AVOIDING ABUSE FROM SKINHEADS. GUS SAID, ‘THIS GUY REG, HE’S STARTING TO GET SOME ACTION IN AMERICA AND HIS LYRICIST IS DOING A POETRY ALBUM, WOULD YOU LIKE TO PLAY ON IT?’ IT WAS A RIOT, WE WERE LISTENING TO CHEECH AND CHONG, IT WAS WHERE I FIRST MET NIGEL, HE WAS THERE ROLLING JOINTS. BERNIE WAS A SWEET GUY FROM LINCOLNSHIRE AND SEEMED A BIT BEMUSED BY ALL THE ATTENTION THEY WERE GETTING. I WAS VERY MOVED BY BERNIE’S LYRICS AND THAT LED TO SOMEBODY SUGGESTING THAT I PLAY ON MADMAN ACROSS THE WATER.“WHEN I MET ELTON IN THE STUDIO HE WAS A QUIET, SHY GUY, VERY NERVOUS, WOULDN’T SAY BOO TO A GOOSE. THE FIRST TIME I PLAYED TOGETHER WITH DEE AND NIGEL IN THE STUDIO, IT WAS INSTANTLY MAGICAL. WHEN ELTON ASKED ME TO JOIN THE BAND EVERYONE AROUND HIM WAS SAYING ‘YOU’RE FUCKING MAD, THIS GUY’S A FOLKIE.’ ELTON SAID, ‘I CAN SEE SOMETHING THAT’S GONNA WORK FOR ME’. I LOVED HIS SONGS, HIS PLAYING, HIS SINGING, FOR ME IT WAS A NO-BRAINER.“THE BIG BREAKTHROUGH BLEW US ALL AWAY. WE COULD FEEL THIS VIBE FROM THE AUDIENCES, ESPECIALLY IN THE US. BUT IT WAS ALBUM-TOUR-ALBUM-TOUR SO WE DIDN’T HAVE TIME TO REALISE WHAT WAS GOING ON. IT ALMOST BECAME A LITTLE BIT BLAS?. WE WERE SELLING ALL THESE RECORDS IT WAS RIDICULOUS, YOU COULD TURN ON THE RADIO IN YOUR LIMO AND YOU’D HEAR JIMI HENDRIX, THEN JONI MITCHELL, THEN LED ZEPPELIN, THEN US, THEN THE BEATLES.”¥3,080 (税込)ご注文できません -
- UNCUT / IMPORT / BOOK / 1007330511 / 2017年02月21日
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売切 注文不可BJORK, DEEP PURPLE, CHRISSIE HYNDE AND NICK CAVE ALL FEATURE IN THE NEW ISSUE OF UNCUT, DATED APRIL 2017 AND ON SALE NOW.BJ?RK IS ON THE COVER, AND INSIDE THE ISSUE HER CLOSEST COLLABORATORS REVEAL THE SECRETS BEHIND HER GREATEST ALBUMS. “IT WAS LIKE STANDING NEXT TO A VOLCANO,” SAYS ANOHNI. “I COULDN’T KEEP UP.”WHILE WARMING UP FOR A FINAL TOUR AND ALBUM, DEEP PURPLE’S IAN GILLAN, ROGER GLOVER AND IAN PAICE RECALL THEIR WILD CAREER IN ROCK, WHILE CHRISSIE HYNDE REVEALS ALL ABOUT THE PRETENDERS, THE IDEAL CANDIDATE TO TAKE ON DONALD TRUMP AND DINNER WITH MORRISSEY.UNCUT CATCHES NICK CAVE & THE BAD SEEDS IN AUSTRALIA TO HEAR THEM PERFORM SKELETON TREE LIVE IN WARREN ELLIS’ HOMETOWN, WHILE THE MAGNETIC FIELDS‘ SELF-CONFESSED “MEGALOMANIAC” STEPHIN MERRITT DISCUSSES HIS AUTOBIOGRAPHICAL, EPIC ALBUM, 50 SONG MEMOIR: “IT SHOULD SERVE AS A WARNING TO EVERYONE NOT TO DO CONFESSIONAL SONGWRITING.”WE ALSO LOOK AT THE STORY OF LOS ANGELES’ TROUBADOUR CLUB ? HOW THE BYRDS, JONI MITCHELL, CAROLE KING, ELTON JOHN AND THE EAGLES MADE AN OLD HOLLYWOOD CAR SHOWROOM THE CLUBHOUSE FOR A HOST OF MUSICAL SUPERSTARS.ALISON KRAUSS TAKES US THROUGH THE FINEST ALBUMS OF HER CAREER, WHILE THE CREATION LOOK BACK ON THEIR FREAKBEAT CLASSIC “MAKING TIME”.JOHN MAYALL ANSWERS YOUR QUESTIONS, AND LAETITIA SADIER PICKS EIGHT INFLUENTIAL ALBUMS, WHILE WE MEET NASHVILLE GARAGE NEWCOMER RON GALLO, THE SHINS, ASH RA TEMPEL AND PROCOL HARUM IN OUR INSTANT KARMA SECTION.IN OUR MAMMOTH REVIEWS SECTION, WE LOOK AT NEW ALBUMS FROM HURRAY FOR THE RIFF RAFF, JARVIS COCKER, LAURA MARLING, SLEAFORD MODS, SPOON AND THE JESUS AND MARY CHAIN, AND ARCHIVAL RELEASES FROM ELLIOTT SMITH, GEORGE HARRISON AND MORE.THIS MONTH’S FREE CD, HYPERMUSIC, INCLUDES NEW TRACKS FROM CRAIG FINN, BRITISH SEA POWER, LAURA MARLING, THE MAGNETIC FIELDS, GRANDADDY, LAETITIA SADIER, REAL ESTATE AND MORE.READ MORE AT HTTP://WWW.UNCUT.CO.UK/NEWS/THIS-MONTH-IN-UNCUT-57-99315#SU8HWF3EZSJYDZQQ.99¥880 (税込)ご注文できません
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